Christoph Broich's sculptures playfully manipulate proportions and perspective, altering and challenging the viewer’s spatial relationship with his work. Broich traces a history of materials and movements within contemporary art history and mixes them up with popular culture references in his own idiosyncratic style. He engages with the way in which different kinds of space interact and how such interactions can be materialized and presented.
Broich melds systemic rigor with a playful use of materials to arrive at a sculptural product in which formal and political interests intertwine. He also reminds us that being human entails a capacity for individualistic expression as well as the daily challenge of having to take each other's crap.